Hell yeah!
I preferred Madman Across the Water.
I don't think that David Gilmore's lyric writing chops are anywhere near as strong as Roger Waters - though I like the sound of Gilmore's voice more than Waters's. I think Gilmore is a really under appreciated guitarist, and musically the later stuff is outstanding. But the lyrics just shift it to the level of stadium dad rock.
Snakes and Arrows was a very, very dark album.
+1 ... PBS has an awesome series, “Classic Albums” ... have watched the Goodbye Yellow Brick Road episode more often than I care to admit.![]()
I've never cared much about lyrics, I like the music.
I like Pearts use of language, and, sure the "message" resonates with 20 year olds, but now I find them tedious and preachy. The music is still good. The Anarchist on Rush's last album is great. Snakes and Arrows was a very, very dark album compared to the bright light of the previous Vapor Trails.
And Clockworks Angels, I mean, geez, we get it. We got it 30 years ago and since then. But it's a really good album, and was one of the best concerts I've seen from any band.
That’s what’s so funny. Those of us in the analog age bracket couldn’t understand half the lyrics anyway given the fidelity issues of transistor radios and various record players. I have learned more lyrics of old songs in the last 20 years, than the previous 40.
We might have been talking about Once Upon A Time in Hollywood here recently, but I love the movie. One of the things Tarantino does is to never introduce digital fidelity to the old songs so its sounds very familiar to those times. Either that or they re-slopped it up by wizardry. But the songs really do sound like the radio or home record players.
'Scuse me while I kiss this guy?
I like the theatrics involved in putting a record on. I remember going to a woman's house to cook dinner for her when we were dating for a brief bit, and she put a record on and it felt like an event.
But I'm with you. I want my music to be accessible to me any time, anywhere. That's so much more important to me than any fidelity that I blasted it of my ears when I played in punk rock bands with no hearing protection.
Super down for your list. I imagine it's pretty obscure too me but I know our tastes have some overlap.
...
Slayer - Reign in Blood
...
I'll thrown down a few, I guess. Not super obscure or anything if you're into metal at all. These all have killer tracks all the way through. In no particular order:
Slayer - Reign in Blood
I think the average track length was like 2 minutes of thrash. Even so, that was not even my favorite album back then. I would take Seasons or Show No mercy over that one, maybe even Hell Awaits.I just about wore this record out listening to it in high school. I wonder how it sounds now…
Mind, I've never been a KISS fan myself, but I did go to one of their concerts. It was in the early 2000's, full makeup, the whole kit.
And there were two malfunctions that happened during the concert. The first, Paul Stanley was on a cable being taken out to a pedestal in the middle of the crowd, and he didn't quite make it before they took him back.
But, worse, Gene Simmons was being lowered to the stage, in front of the huge KISS sign and...stopped, a foot off the stage.
And all I could think about was Spinal Tap. Whether they were trolling the crowd or not, I couldn't say, but it actually kind of ruined the concert for me. Because all I could think of was Spinal Tap.

Really? When I was a teenager, I used to carry every single Slayer album around with me in a duffel bag on Cassette and CD, in case one type of player was unavailable.
I guess it is easy to listen to all the way through since the whole album is like 28 minutes.I think the average track length was like 2 minutes of thrash. Even so, that was not even my favorite album back then. I would take Seasons or Show No mercy over that one, maybe even Hell Awaits.
South of Heaven is probably my favorite album by Slayer.