Why send an attack at all when you can't even see what you're attacking?
The night was dark and — from what we could see of it — full of terrors ...
“Game of Thrones” is a series that speaks visually as much as it does through dialogue. After last week’s outstanding “A Knight of the Seven Kingdoms” — almost entirely a series of conversations — “The Long Night” did its talking through image. Too often, what it had to say was mumblemurmurmumble.
But there were also images that absolutely sang. And those were scenes that used the darkness to a purpose — not as a shroud, but as a physical presence ...
Cheap as in lazy writing. He manages to catch her during a sneak attack but can't stop her from dropping the blade and stabbing him. Listen, I can overlook all the other fan service like how most of the heroes had their backs to a wall buried in undead and yet somehow survive, but I'm still pretty pissed how this scene played out. Arya the night king slayer while Jon was playing hide and seek with a dead dragon. GTFO here!
Can one of you more Thrones-educated tell me about her necklace and why she shriveled up and died without it? And is she from one of the major families in the story or whut? Or direct me somewhere to find out?
Can one of you more Thrones-educated tell me about her necklace and why she shriveled up and died without it? And is she from one of the major families in the story or whut? Or direct me somewhere to find out?
Except for...Maybe she was um, hiding it
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Don’t want to think just where she was hiding her necklace...![]()
Last season (or was it the season before?) it was revealed that Mel is actually a decrepit old hag and that the necklace she wears keeps her appearance up. We find this out via a somewhat unsatisfying nude scene.![]()
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Small Thrills, Big DisappointmentsBut the Night King.
Man.
For years it has been implied that his presence looming over Game of Thrones was about so much more than court intrigue: that we were going to be made to feel and understand the depths of that original trauma from all those thousands of years ago when the Children of the Forest drove a dagger into the heart of a First Man—to fight off the First Men who were cutting down their sacred trees.
Their decision to create a superweapon, the way it backfired, the tragic story of how that metastasized into a principle of natural revenge that would wipe out whole landscapes and delete humanity, or at least its memory—all this cast into relief just how petty and small the show’s plots over who’s in charge had always been.
The Night King didn’t seem like a traditional villain or even a Lucifer figure, someone mad he didn’t get the power he wanted and fell.
He seemed like an argument about history—long history, epic history, natural history—mattering.
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Small Thrills, Big Disappointments
"How Game of Thrones botched the Night King."
LILI LOOFBOUROW, for Slate, 4/30/19
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